Maurice Ravel: String Quartet in F major Performed by The Hagen Quartett

Maurice Ravel

Maurice Ravel

Once again, I am indebted to Seattle’s classical music station, KING FM, for my choice of music for this blog, this time for reaquainting me with the String Quartet in F major by Maurice Ravel.  It had been many years since I had heard this piece, and I had forgotten what a vibrant, exciting work it is until I heard it earlier this month on KING FM in a brilliant performance by the Berg Quartett.

Incidentally, KING FM recently concluded their Fall Fund Drive, during which I was glad to renew my membership.  You can too, if you are so inclined.  Just go to, where you can listen to KING FM 24 hours a day no matter where in the world you are, and click on “Donate”.

Ravel composed his lone string quartet in 1902-03, and it was first performed in Paris in March 1904.  Ravel dedicated it to his friend and teacher Gabriel Fauré, who, in a strange lapse of judgment – and despite being the dedicatee – described the last movement as “stunted, badly balanced, in fact a failure.”  Debussy’s assessment was more perceptive.  He wrote to Ravel, “In the name of the gods of music and in my own, do not touch a single note you have written in your Quartet.”

The ensemble featured here, the Hagen Quartett, was founded in Salzburg, Austria in 1981 by four siblings: violinists Lukas and Angelika, violist Veronika, and cellist Clemens.  Angelika left the quartet in 1987, and was succeeded as second violinist by Annette Bik and later by Rainer Schmidt.  This performance took place in 2000 at the Mozarteum Concert Hall in Salzburg.  While no recording can fully capture the excitement and presence of a live performance, this video comes as close to that ideal as any I’ve seen.

If you enjoy this quartet, and are not already familiar with Ravel’s Piano Trio in A minor, I encourage you to click here to watch a thrilling performance of that piece too.  I promise you will enjoy it.  Both are masterpieces of the very first rank.

The four movements of the quartet are marked as follows: 1. Allegro moderato, Très doux, 2. Assez vif. Très rythmé, 3. Très lent, and 4. Vif et agité.

Published in: on October 31, 2013 at 10:16 am  Comments (4)  
Tags: , ,

The URI to TrackBack this entry is:

RSS feed for comments on this post.

4 CommentsLeave a comment

  1. What an exquisite composition. I foresee that it will become a favorite.

    • Thank you, Kay. That’s just how I feel about it.

  2. Even for a person who doesn’t listen to much classical music, I thought this was a great performance and a really unique, enjoyable piece of music. Would be great to hear it in person too.

  3. It’s absolutely fascinating to read about how this very piece was Ravel’s final submission at the conservatory, which was deemed as a failure. He quit, but not without making a distinctive mark with fellow composers. Yes, Debussy and Ravel seem to have similar musical intentions and most fortunately for Ravel, Debussy praised his final. It’s too bad Debussy was not on the faculty at the conservatory. This makes me wonder all the more the nature of conservatories today, and what types of “failures” are being served to composers today, 100+ years later. Thanks for sharing such an ear turning work of art!

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s

%d bloggers like this: